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What Is Luke's Family Symbol in the Mortal Instruments

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2013 film

The Mortal Instruments: Urban center of Bones
At the front on the right is a girl, with 4 more people behind her, each further away. A rune or smybol can be seen in clouds against the yellow sky.

Theatrical release affiche
Directed past Harald Zwart
Screenplay by Jessica Postigo
Based on City of Bones
by Cassandra Clare
Produced by
  • Don Carmody
  • Robert Kulzer
Starring
  • Lily Collins
  • Jamie Campbell Bower
  • Robert Sheehan
  • Kevin Zegers
  • Lena Headey
  • Kevin Durand
  • Aidan Turner
  • Jemima Due west
  • Godfrey Gao
  • C. C. H. Pounder
  • Jared Harris
  • Jonathan Rhys Meyers
Cinematography Geir Hartly Andreassen
Edited by Joel Negron
Music past Atli Örvarsson

Product
companies
  • Screen Gems[2]
  • Constantin Film International GmbH[i]
  • Unique Features[3]
  • Don Carmody Productions[1]
Distributed by
  • Entertainment One (Canada)
  • Constantin Film (Germany)
  • Sony Pictures Releasing[2] (United States)

Release dates
  • August 12, 2013 (2013-08-12) (Cinerama Dome)
  • Baronial 21, 2013 (2013-08-21)

Running time

 130 minutes[4]
Countries
  • Canada[1]
  • Germany[ane]
Language English
Budget $60 meg[five] [vi] [seven]
Box office $95.iii 1000000[6] [8]

The Mortal Instruments: City of Bones is a 2013 urban fantasy film based on the starting time book of The Mortal Instruments serial by Cassandra Clare. Information technology was directed by Harald Zwart, with a script written past Jessica Postigo. The film stars Lily Collins as Clary Fray, a teenager from New York City who meets a group of Nephilim known equally the Shadowhunters while besides discovering her ain heritage and her family unit history. The bandage as well include Jamie Campbell Bower, Robert Sheehan, Kevin Zegers, Lena Headey, Kevin Durand, Aidan Turner, Jemima West, Godfrey Gao, C. C. H. Pounder, Jared Harris, and Jonathan Rhys Meyers.

The movie's evolution began when Constantin Film optioned the film rights to the book serial. Casting announcements started in 2010, with Collins being the commencement actress fastened to the project. Main photography took place in Ontario betwixt Baronial and November 2012. It is an international co-production between Germany and Canada.

The Mortal Instruments: City of Bones premiered in Los Angeles on August 12, and was released in Baronial 21, 2013 by Entertainment Ane in Canada and past Constantin Picture show in Federal republic of germany. It was released in the Us on the aforementioned day past Screen Gems. The film received mostly negative reviews from critics and grossed $95.3 million worldwide confronting a production budget of $60 meg, failing to suspension fifty-fifty.

The film was originally intended to launch a film series and to continue with a sequel based on the second book, City of Ashes, that was in development with Sigourney Weaver set to join the bandage. However, information technology was postponed indefinitely and ultimately cancelled due to the film poor performance. A reboot television set series, titled Shadowhunters, premiered in 2016 on Freeform and ran for three seasons.

Plot [edit]

New York Metropolis teenager Clary Fray begins seeing and cartoon a foreign symbol, worrying her mother Jocelyn Fray and family friend, Luke Garroway. At a crowded nightclub with friend, Simon Lewis, only Clary can meet Jace Wayland and his accomplices killing a man. The next 24-hour interval, two men, Emil Pangborn and Samuel Blackwell, arrive at the Fray flat searching for a cup. Jocelyn calls Clary, frantically telling her to stay away and to warn Luke about someone named Valentine; she then drinks a potion putting her in a deep sleep. Returning home, Clary finds her mother missing and is attacked by a canis familiaris-like animate being. Jace, a "Shadowhunter", appears and kills information technology, explaining that it, like the "human" killed at the nightclub, was a demon in another form.

With help from the Frays' neighbour, Madame Dorothea, a witch, Jace deduces that Pangborn and Blackwell seek a lost antiquity called the Mortal Cup. Jace and Clary, along with Simon, become to Luke's antique store. Pangborn and Blackwell are forcibly interrogating Luke who, to protect Clary and Jocelyn, falsely claims he cares nothing about the Frays and just wants the Mortal Cup. The trio escapes to the Shadowhunter Constitute, a hidden cathedral-like building, where Jace treats Clary, who was stung by the demon. She and Simon meet two other Shadowhunters, siblings Alec and Isabelle Lightwood, and Shadowhunter leader, Hodge. Clary learns that Shadowhunters, invisible to mortals, are half-human being, half-affections demon slayers. Clary has inherited her Shadowhunter mother's powers, including drawing temporary magical runes on the skin. The Mortal Cup is one of three Mortal Instruments given to the beginning Shadowhunter by the Angel Raziel. Shadowhunters are either descended from other Shadowhunters or made past drinking from the cup. Hodge explains that Valentine Morgenstern, an ex-Shadowhunter who betrayed the order, at present seeks the Cup to control both Shadowhunters and demons.

Hodge instructs Jace to take Clary to the City of Bones, a sanctuary beneath a cemetery. When the Silent Brothers attempt to unlock Clary's blocked memories, they uncover a connectedness to Magnus Blight, the Loftier Warlock of Brooklyn. At Blight's gild, he tells Clary that Jocelyn had him cake knowledge of the Shadowhunter world from Clary's mind. When Vampires kidnap Simon, Jace, Alec, Isabelle, and Clary trail them to their hideout. They find Simon, only vampires outnumber them. Werewolves intervene and save them.

Equally Simon recovers at the Institute, Clary notices two puncture marks on his shoulder, while he discovers he all of a sudden no longer needs eyeglasses. Clary shares a romantic evening with Jace, ending in a buss. When Simon jealously confronts Clary about it, she downplays the incident, angering Jace. Simon confesses he loves Clary, though she does not reciprocate his feelings.

Clary realizes the Mortal Cup is subconscious inside one of Madame Dorothea's tarot cards that her mother painted equally a gift. The group goes to Dorothea'south apartment, simply a demon has replaced her. Simon and Jace kill information technology, but Alec is lethally stung. Clary retrieves the Mortal Cup carte, and they return to the institute. Hodge summons Magnus Bane to heal Alec.

Clary removes the Mortal Cup from the card and gives it to Hodge, who betrays them by summoning Valentine Morgenstern through a portal and giving him the Cup. When Valentine reveals he is Clary's father, she refuses to join him. She puts the loving cup back into the card, so escapes through the portal that transports her to Luke'due south shop. Luke, revealed to be the werewolf who helped fight the vampires, confirms that Valentine is her male parent and says Clary had an older brother named Jonathan, who died every bit a toddler. Luke and his werewolf pack go to the Institute with Clary to battle Valentine after he summons demons through a roof opening. Simon finds Jocelyn, withal unconscious, at the Institute, and he and Isabelle shut the roof opening with help from a repentant Hodge.

Clary and Jace fight Valentine, who lies past claiming Jace is his son. Clary tricks Valentine by giving him a replica Mortal Loving cup, and so pushes him into the portal, destroying it. Jocelyn is rescued merely remains unresponsive at the hospital. Clary uses her new-found powers to repair the apartment. Jace arrives, confessing he needs her and disbelieves they are siblings and will uncover the truth. Realizing she belongs in the Shadowhunter earth, Clary returns to the Establish with Jace.

Cast [edit]

  • Lily Collins as Clary
  • Jamie Campbell Bower every bit Jace
  • Robert Sheehan as Simon
  • Kevin Zegers equally Alec
  • Lena Headey as Jocelyn
  • Kevin Durand every bit Pangborn
  • Aidan Turner as Luke
  • Jemima West as Isabelle
  • Godfrey Gao equally Magnus Blight
  • C. C. H. Pounder equally Dorothea
  • Jared Harris as Hodge
  • Jonathan Rhys Meyers as Valentine

Product [edit]

Pre-production [edit]

While shopping the film prospect around, author Cassandra Clare had difficulty finding a studio interested in making a moving-picture show with a female person in the lead role. Studios asked her to switch the lead to a male grapheme, which she refused.[ix]

On December 9, 2010, information technology was appear that Lily Collins had been cast in the role of Clary Fray.[10]

Alex Pettyfer was originally offered the role of Jace Wayland, but turned it down.[eleven] Alexander Ludwig,[12] Ed Speleers and Leebo Freeman tested for the role[xiii] but it went to Jamie Campbell Bower. Xavier Samuel,[14] Nico Tortorella,[15] Max Irons,[sixteen] and Douglas Booth[sixteen] were also in consideration.

The film is a co-production of the Germany company Constantin Moving-picture show Produktion GmbH and Canadian company Don Carmody Productions and a co-production with Unique Features.[i]

Filming [edit]

Principal photography took place betwixt August 20 and November 7, 2012, on location in Toronto and Hamilton, Ontario, and New York City.[17]

Music [edit]

Soundtrack [edit]

The Mortal Instruments: Urban center of Bones (Original Pic Soundtrack)
Soundtrack album by

Various artists
Released August 20, 2013
Recorded 2013
Genre Pop, EDM, indie pop, alternative rock
Length 49:53
Label Republic

The Mortal Instruments: City of Bones (Original Motion Picture Soundtrack) was released by Republic Records in stores and digital retailers on August 20, 2013.[18] Information technology is headlined by Demi Lovato, Zedd, Colbie Caillat, AFI remixed by LA Riots, and Jessie J among others. The soundtrack is a collaboration between trance DJs Myon & Shane 54 with Seven Lions, likewise equally a song by Bryan Ellis, produced by Brian West. Some songs, including Lovato's "Heart by Eye" and Caillat'southward "When the Darkness Comes", were recorded specifically for Metropolis of Bones. Zedd "scored for a key scene in the film".[19]

"Well-nigh Is Never Enough", performed past Ariana Grande and Nathan Sykes was released as promotional single from the album on August 19, 2013.[xx] The album peaked at #32 on the US Billboard 200.[21] "Well-nigh is Never Enough", performed by Ariana Grande and The Wanted'southward Nathan Sykes, debuted on the Billboard Hot 100 at number 84.

No. Title Music Length
1. "Into the Lair" Zedd 1:44
two. "Almost Is Never Enough" (Soundtrack version) Ariana Grande and Nathan Sykes 3:30
3. "17 Crimes" (LA Riots remix) AFI 4:43
4. "Heart by Heart" Demi Lovato 3:43
v. "Bring Me Home" Youngblood Hawke three:02
6. "When the Darkness Comes[22]" Colbie Caillat 4:16
vii. "Strangers" (featuring Tove Lo) Seven Lions, Myon & Shane 54 half-dozen:02
viii. "Magnetic" Jessie J iii:55
9. "Bear" Pacific Air 3:36
10. "All Near U.s." (featuring Owl City) He is Nosotros 3:26
xi. "Calling from Higher up" (Edit) Bassnectar one:57
12. "Start a Riot" Jetta 4:14
thirteen. "Foreign Days" Bryan Ellis 5:45
Full length: 49:53

Beth Crowley had also written a song inspired by the movie chosen "Warrior". "All I Demand" by Radiohead was the song used in the trailer for the picture.

Score [edit]

The Mortal Instruments: Metropolis of Bones (Original Motion Picture Score)
Soundtrack album past

Atli Örvarsson
Released August 20, 2013
Recorded 2013
Genre Soundtrack
Length 1:03:42
Label Milan Records

The official score was equanimous past Atli Örvarsson, and was released on Baronial xx, 2013 for physical purchase and digital download.

Release [edit]

A teaser trailer was released in November 2012, and a 2d trailer was released March 2013. The motion-picture show was originally due for release on Baronial 23, 2013, but was pushed back 2 days earlier, on August 21, 2013.[23] The film secured broad European distribution deals at Cannes.[24]

The moving-picture show premiered on August 12, 2013, at the Cinerama Dome in Hollywood.[25]

Marketing [edit]

According to the Los Angeles Times, $threescore million was spent on marketing.[7] Kulzer, Constantin's co-president, stated "$60 million has been spent worldwide on prints and advertising...." and went on to explicate the importance of managing expectations.[26]

Home media [edit]

The Mortal Instruments: Urban center of Bones was released on DVD and Blu-ray on December 3, 2013, by Sony Pictures Home Entertainment.

Reception [edit]

Disquisitional response [edit]

Review aggregation website Rotten Tomatoes gives the moving-picture show an approval rating of 14% based on 125 reviews and a rating average of iii.93/10. The site commented that "The Mortal Instruments: City of Basic borrows ingredients from seemingly every fantasy franchise of the last 30 years—just can't seem to figure out what to do with them."[27] At Metacritic, which assigns a normalized rating out of 100, the film has a score of 33% based on reviews from 35 critics, indicating "more often than not unfavorable reviews."[28]

The Telegraph's Robbie Collin gave the flick ane out of 5 stars, saying, "This gothic teen fantasy is one of the most disastrous page-to-screen adaptations in memory". Collin added "the plot is an incomprehensible tangle of dead ends and recaps, and afterwards you lot realise only 2 things have stuck: the story's countless unsubtle borrowings from very contempo popular culture... and a cursory aside in which nosotros learn i of the earliest demon-hunters was Johann Sebastian Bach."[29] Michael Rechtshaffen from The Hollywood Reporter also gave it a negative review, saying, "Certainly not the starting time and very unlikely the concluding studio endeavor at launching a Twilight/Hunger Games franchise of their very own, The Mortal Instruments: Urban center of Basic is a bona fide saga all right—just not in a good way" calculation "Despite the overstuffed assortment of vampires, werewolves, warlocks and demons of all shapes and sizes, The Mortal Instruments seldom feels like anything more than a shameless, soulless knockoff."[30] New York Daily News too gave it a negative rating of 1 star out of 5; critic Jordan Hoffman wrote, "This one is by far the worst of the Twilight copies. And when that bunch includes The Host and I Am Number Four, that'south saying something." Hoffman added, "Despite an avalanche of back story, the film is but an excuse to hop from one spookily dressed set to another. Alas, the titular City of Bones is more of a basement. Other than a gag about a cache of weapons below every church building altar, in that location'due south inappreciably a moment of levity or imagination. For a film that is wall-to-wall fantasy, you've seen all of this before, in much better movies."[31]

Tom Keogh of The Seattle Times also gave it a negative review, stating, "Urban center of Basic is so overwhelmed past CGI effects that information technology amounts to white noise for the eyes. Far worse is the style manager Harald Zwart tin can't found a mature tone to support some of the story's genuinely assuming and challenging elements, particularly a forbidden-love theme that deserves a more than serious context".[32] A more than average review came from picture critic Stephanie Merry of The Washington Mail service, who said, "To be fair, there are elements worth celebrating. The film is thankfully less self-serious than the mopey Twilight films. The Mortal Instruments revels in its own camp." She added, "But there is plenty of room for improvement. The activity flick is overly long, complicated and, even by teen romance standards, cringe-worthy in its cheesiness."[33]

David Blaustein from ABC News also gave the motion picture an boilerplate review of ii-and-a-one-half out of five stars, saying, "Director Harald Zwart unsuccessfully tries to compress teen angst, love, passion, unfulfilled dreams and activeness into an overzealous, over-the-peak, never-ending finale which seems about as well planned as throwing rocks and sand into a blender in the hope that if you blend information technology long plenty at high-enough speed, you might air current up with a delicious shake." He then added, "The Mortal Instruments: City of Bones is not a very good pic by any stretch of the imagination. However, information technology does possess a slick, beautiful, young-adult aesthetic and a supernatural, emotional yet nonsensical love triangle that the film's target demographic goes crazy for."[34]

Venetia Falconer of MTV News gave the film a positive review, with a score of iv out of v stars, posting, "The Mortal Instruments more than lives up to its hype of 'The New Twilight'. The special furnishings are impressive, the battle scenes enthralling and at that place is solid acting from all members of the bandage. The film's chief strength is that information technology perfectly hits the right balance betwixt drama and comedy."[35]

Movie house audiences responded more positively than critics. Viewers who saw the film on the opening Wednesday, gave an average course of B+, according to market research firm CinemaScore.[7] The audience was 68% female and 46% under the age of 21.[36]

Box office [edit]

City of Bones grossed $9.3 million for the three-mean solar day weekend in the U.S. and $xviii.2 meg worldwide, debuting in #3 identify as the highest ranked new release, although losing out on the top ii spots to holdovers from previous weeks (Lee Daniels' The Butler and We're the Millers).[37] [38] For the v-day cumulative total, it grossed $14,088,359 in the U.S. and $23,188,359 worldwide, placing it below estimates of Variety at $xviii million,[39] The Hollywood Reporter at $fifteen million,[forty] and Sony itself who predicted $15 one thousand thousand. Co-ordinate to The Wrap, the film "failed to connect" and is on the same class as other misfires Beautiful Creatures and The Host.[41] Forbes as well made comparisons with Beautiful Creatures and The Host, and called the five-day weekend gross "a total-blown disaster"[42] as well equally "the biggest bomb of the weekend".[43]

Executive producer Martin Moszkowicz blamed the weak opening in the U.s. on "a strongly competitive environment", including competition from You lot're Next and The Earth's End, too as potent holdovers The Butler and Nosotros're the Millers. Moszkowicz was confident, saying it was still likewise early to call, with the film still rolling out release in more territories worldwide.[44]

Equally of October ten, 2013, it grossed $31,165,421 at Northward American box offices and $59,400,000 internationally, bringing the worldwide gross to $90,565,421.[6] [8]

The Hollywood Reporter described the film as a "major in-house flop" and contributing to studio Constantin's losses for the 2013 year.[45]

Awards [edit]

The Mortal Instruments won four Canadian Screen Awards: Accomplishment in Make-Up, Achievement in Overall Sound, Achievement in Sound Editing and Achievement in Visual Effects. It was also nominated for Achievement in Costume Blueprint and Achievement in Art Management/Production Design.[46] [47] The picture show was nominated at the 2014 Teen Option Awards for Choice Movie: Activity, Choice Picture show: Histrion Activeness, and Choice Movie: Actress Action, only lost to Divergent in all categories.[48]

Sequel [edit]

Canceled sequels [edit]

On May viii, 2013, before the film was released, it was announced that a film adaptation of the second book Metropolis of Ashes, would start production on September 23, 2013 with a 2014 release engagement.[49] In August 2013, subsequently the film opened below expectations, Kulzer, Constantin'southward co-president, explained that a sequel was nonetheless warranted given increasing book sales and soundtrack revenues.[26] Sigourney Weaver was set up to join the cast while Lily Collins, Lena Headey, Jonathan Rhys Meyers, Jemima West, and Jamie Campbell Bower were ready to reprise their roles.[50] [51]

On September 10, 2013, The Hollywood Reporter claimed that the sequel "had been pushed in the wake of a lackluster box-office opening"[52] and The Wrap claimed the moving picture had been postponed indefinitely.[53] Moszkowicz responded "... Constantin is committed to making the sequel, the company did not want to blitz into production with an unfinished screenplay, preferring to accept the time to get right".[53] Cassandra Clare responded, saying the typhoon screenplay she saw was "very far from the book" and that the original schedule would not have allowed time for changes, and she thought the filibuster could therefore be a good matter.[54]

On Oct 23, 2013, Moszkowicz told The Hollywood Reporter that production on the sequel would resume in 2014, explaining that Constantin was determined to continue the franchise due to the positive response from fans to the adaptation, though noted that the marketing entrada for City of Bones was likewise narrowly focused on teenage fans, proving to be a detriment of Clare'southward older readers.[55] Moszkowicz too admitted that zero had been finalized nor confirmed, proverb "It is an ongoing discussion that we are having, and information technology is not washed. We haven't fabricated a final decision. But we will but motility forward—and we program to move forrad—when we experience nosotros are going to become information technology right". Moszkowicz afterwards revealed the intention to shoot the motion picture at some fourth dimension in 2014.[56] On May 20, 2014, Harald Zwart revealed that the studio even so had intentions to brand the sequel, but explained that he would not directly it, and so that he could focus on other projects, although he complimented the start motion picture as "a good window [for him] to show off".[57]

Scott Mendelson of Forbes magazine expressed surprise that a sequel was in production: "The Mortal Instruments: City of Bones received neither positive reviews nor box part large enough to justify its production and marketing expenses. Yet, against all odds and arguably confronting all logic, ... it'due south getting a sequel!"[58]

Telly series [edit]

On October 12, 2014, at Mipcom, Constantin confirmed that The Mortal Instruments would render as a television series, abandoning previous plans for a film sequel, with Ed Decter as showrunner to first production for next year on at least two or 3 international shows.[59] Constantin Film and Idiot box head Martin Moszkowicz told The Hollywood Reporter that "It actually makes sense to practice (the novels) as a TV serial. There was so much from the volume that we had to leave out of the Mortal Instruments film. In the series we'll exist able to go deeper and explore this world in greater detail and depth."[59] [60]

The television series ran for iii seasons, from Jan 2016 to May 2019.

Games [edit]

To tie in with the movie, Sony Pictures worked with developers PlayFirst to release a game on Baronial xv, 2013. The game, available costless for Android and iOS, allows players to hunt demons and supernatural monsters like the Shadowhunters of the story. That includes cantankerous-platform features, allowing users to sign in on Facebook and save their progress across Android and iOS devices.[61]

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External links [edit]

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Source: https://en.wikipedia.org/wiki/The_Mortal_Instruments:_City_of_Bones

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